Grindin' the Emblems Off
Anaheim, California
March, 1990
At this point I was getting serious about claiming the car was really an
Art Car so I could get units for "Independent Studies Upper-Division Sculpture"
(or some such gibberish) and get the hell out of UCI ASAP with some kind
of degree and start collecting the benefits of middle-class life.
The concept I bullshitted my advisors with was that I was working with
"several parallel paradigms of American automotive archetypes" or something
equally alliterative. Made sense to them, apparently, so I set to
work removing all the identifying emblems, logos, etc. which identified
the car as a Chevrolet. Here, a friend volunteers his services and
air compressor to grind away the 283 emblems. I discovered that a
hammer and chisel was faster and left a nastier-looking mark. It
was at about this time that I started beating dents into the finish with
a tire iron and inviting my friends to do the same. I learned from
this that, in Southern California, it is considered sick and perverted
in a near-sexual way to willingly damage the appearance of your own car,
no matter how cheap or hideous it is. "Want to key-stripe my paint?"
I would ask people, which horrified them in a way they found secretly exciting.